Shot with the X T2 and one of my two fav portrait lenses, the XF 56mm 1.2 at 1.6.
Model Alliance 2015 Calendar: “Glamour” Portraits shot with the A7s and the A7r: field report
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I am back
and I am honored to be part of this project, the Model Alliance 2015 Calendar, celebrating Diversity and Women Empowerment
more after the break
Assignments: feeling good without mirrors?
shot with the Sony A7r and the Series E 75-150mm lens.
Since I purchased the Sony A7 late last year and the A7r shortly afterwards, I haven’t had much use for my DSLR’s. I have shot everything from look books, stills, editorials, portraits, model and corporate head shots with these two cameras. It looks like my days with mirrors are numbered Read the rest of this page >>
more after the break
Soma magazine, spring denim shoot with the Sony A7/A7r and the Zeiss FE 55mm, field report: part one, video.
on the fence, starring zo & li from Mike Kobal on Vimeo.
shot with the Sony A7r and A7, the Sony FE 28-70mm and the Zeiss FE 55mm 1.8. Read the rest of this page >>
if you like what you hear: feverkin/of-the-wrist
working impressions after the break
The full frame obsession: valid or fallacy?
shot with the Canon 5DmarkIII and the 50mm 1.2 L lens at f 2
The following post was inspired by a few emails asking for advice weather to jump on the FF wagon and get one of the new Sony’s (A7 or A7r). I hope some of you will find it helpful.
The two universally known advantages of a full frame sensor over APSC are better high ISO performance and shallower depth of field, provided that the aperture settings, field of view of the lenses and the distance between the cameras and subject stay equal.
The latest Sony A7 and A7r mark the beginning of the end for DSLR’s as we know it. Yep, ladies and gentlemen, this was it, it is over, say good bye, don’t cry because the future is much brighter, sharper, lighter, cheaper, smaller and faster
more after the break Read the rest of this page >>