Shot in 15min with the FH100. Great quality, good Af and image stabilization. If you are interested in high frame rate video and still shooting, also check out the new Samsung TL350. Looks promising but I did not have a chance to try it out yet.
Music, Strom, from the album Kraftwerk 2, you can buy it here: Kraftwerk 2
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August 3, 2010
The Good and The Evil Cat: Casio EX-FH100: Slowmotion 120fps
Samsung TL 500 vs. Panasonic LX3 vs. Casio FH100: quick comparison
I got many emails from readers asking about which point and shoot I recommend and decided to do a quick comparison of my 3 fav’s. Samsung TL500 (my current and fav), Panasonic LX3 ( my fav until I got the TL500) and the Casio FH100, my fav fun camera for just playing around, shooting high speed sequences at 9mp! resolution (jpg) plus great looking HD video (1280×720 @ 30fps) and slow motion down to 1000! frames (although the resolution kinda sucks at 224×480), all three cameras have a 10mp sensor, Samsung and Panasonic a 1/1.7 CCD and 1/1.63CCD, the Casio a 1/2.3 backlit CMOS. Samsung and Pany have the edge here with their slightly larger sensor ( ~23 and 24mp/sqcm) the Casio packs 35mp/sqcm into theirs. Keep in mind these point and shoot cameras CAN’T compete with the Micro4/3 system or any Dslr currently on the marked, but there are days when the T2i, GF1 or PEN E-PL1 seem too big or heavy, that’s when the p&s come in. If you find this information helpful, please consider helping me maintaining this blog by purchasing your gear through my product links to B&H. It will cost you nothing and allows me to keep adding! Thank you.
July 27, 2010
Turn It Up:Soma Rock N Roll Shoot: Selected Photographs
Created with Admarket’s flickrSLiDR.
And here are the photos (arranged in no particular order) the shots selected for publication, hope you enjoy! Check out the Soma magazine or go to a newsstand and check out the real thing, beautifully printed on paper! I really dig the layout (thanks Tim!). During this session I shot photos first, then video, but I don’t have a rule, it really depends, sometimes it helps to shoot video, or just take snap shots, the most important thing is to get everyone relaxed and create a good atmosphere. Cameras used during this shoot: Gh1 and Canon 7D. Lenses: Gh1 kit lens, 14-140mm, 7-14mm, Zeiss 1.4/50mm, Canon 17-55mm, Canon 1.4 35mm,
a mix of daylight and soft Arri’s.
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July 24, 2010
Voigtlander Color Skopar 20mm/3.5 SL-II Pancake compared to Zeiss Distagon T* 21mm/2.8 ZE
Finally got around comparing my two favorite wide angle primes, the Voigtlander Skopar 20mm/3.5 SL-II pancake and the Zeiss Distagon 21mm/2.8 ZE, both in Canon mount, I use them on the Canon T2i, 7D and 5D2 and via adapter on my Panasonic Gh1. The Zeiss Distagon has the edge when it comes to image quality but the extremely small size and low weight of the Voigtlander make it my favorite walk around lens. And lets face it, the quality is still extremely high and better then most wide angle zooms (one notable exception is the Nikon 14-24mm), extremely high center resolution wide open and it sharpens up nicely once stopped down to 5.6 (on full frame, the edges are not a problem on a cropped sensor). Manual focus is a piece of cake on ultra wide angle lenses and very enjoyable on both, the Zeiss and the Voigtlander. I keep the Zeiss around for crucial work but 9 out of 10 times I grab the Voigtlander because of its tiny form factor.
Here are the links to the Voigtlander MTF and Zeiss MTF charts at photozone.
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July 19, 2010
Turn It Up: Rock N Roll Photo shoot for Soma Magazine
Turn it up: Rock n Roll photo shoot for Soma magazine from Mike Kobal on Vimeo.
Liza and Ingvild turned it up during my photo shoot for Soma magazine (on stands now), the music issue, very hot! A word of caution, nsfw, lots of skin!
Panasonic Gh1 for video, photos a mix of Gh1 and Canon 7D. Lenses: Gh1 kit lens, 14-140mm, 7-14mm, Zeiss 1.4/50mm, Canon 17-55mm, Canon 1.4 35mm,
a mix of daylight and soft Arri’s. Edited in FCP. Music: Twistedtracks.com I will post photos from this shoot in a couple days.
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June 23, 2010
Dirty Laundry:Drop Off Service Only:Photo Shoot: Fall/Winter 2010
Dirty Laundry: Drop Off Service Only: Photo Shoot: Fall/Winter 2010 Collection from Mike Kobal on Vimeo.
With a label name like Bedfordstreetlaundry, what choice did we have? To stay true to its name we headed to the West Village and shot at Bedford Laundry, on Bedford street. Drop off Service only. Our model Cordelia was a little confused at first but got into it pretty quickly. The photos were shot with the Canon 5D2, Zeiss 50mm 1,4, 16-35mm, 24-70mm, the video exclusively with the Panasonic Lumix GH1, the standard Lens, 14-140mm, the Zeiss 50mm 1.4, the Panasonic 7-14mm and the Olympus 17mm 2.8. Iso range on the GH1 800-1600. Edit in FCP.
The challenge of course was to remote control the camera in the top secret gyroscopic underwater housing which we placed in a working washing machine w/o detergent and operated at gentle cycle. It worked as promised, no leakage into the housing and extremely stable during all spin cycles, since I signed a NDA you will have to wait until 04/01/11 to get the total scoop. If you like what you hear: headbangamuzik Hope you enjoy!
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June 21, 2010
Panasonic AG-AF100 more info

Very exciting news, Panasonic just released a pdf, a few more details about the recently announced AG-AF100, looking forward to get my hands on one, I am already very impressed with the GH-1. The AG-AF100 will be capable of 12hrs video recording (two SDXC cards) 1080 and 720, 59.94, 50, 29.97, 25 and 24 fps.
It will also feature HD SDI and XLR connectors and it will be compatible with all Lumix G Lenses and other 35mm lenses via adapters.
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May 27, 2010
Kissena Velodrome, New York City’s only bicycle track: Panasonic Lumix GH1
New York City’s only bicycle Track: Kissena Velodrome from Mike Kobal on Vimeo.
Went there on a late afternoon and shoot til sun down. The track is fast but has may bumps. A lot of fun and very addictive. Already have too many bikes, now I am seriously thinking about adding a track bike. This was shot with the Panasonic Lumix GH1, the standard 14-140mm and the 7-14mm. I also used the Zeiss 50mm 1.4 via adapter. Tripod, hand held (steady cam) and mounted on various places on the bike. I had a huge studio clamp with a fluid head attached, clamped it to the seat post, handlebar, tightened it to the max, after one lap it was loose. The camera and lenses survived, hitting the ground only once, and countless laps of rattle. I am impressed with this little camera. I should mention that the rider, Thomas Hassler, does not sweat and does not rest. I couldn’t believe it. You are looking at the future of cycling :O) Hope you have as much fun watching this movie as it was making it. Edit in FCP, converted to b/w, added grain and curves, that’s it. very straight forward. If you like what you hear, one of my all time favorites: the-streets.co.uk/
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April 22, 2010
Rel, Studio Fashion, Stop motion: Canon 7D
Rel in the Studio, Stop motion: Canon 7D from Mike Kobal on Vimeo.
A full day fashion shoot-with incredible model Rel-in less then a minute! Check out the fashion spread in Zoot magazine, spring/summer edition, on stands in two weeks. Shot with the Canon 5D2 and 7D. The shots here are from the 7D, with 17-55mm and the new Zacuto finder. Quick time pro to create the sequence, prepped the files in ps, on my new MultiSync LCD 2690WUXi. I used Arri lights with softboxes. If you like what you hear: Positively Dark Free Music
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April 21, 2010
Manual Sound Recording with the Canon 5D mark II, AT897 and Sound Devices MixPre Field Mixer
Kudos to Canon for giving us manual sound control for the 5D2 in their latest firmware, we can finally turn or AGC and set the levels manually. There is only one glitch, we cannot see or change the levels while recording, it has to be done beforehand. Nonetheless very practical in controlled situations, I use the AT897 microphone to record directly into the camera and the result is very good (during assignment I have a professional sound guy record sound to a separate device) but there are times and situations when you need to do it yourself. ( I also use the Marantz 661 as a stand alone device, I prefer the level control over the Zoom H4N) Now I was curious what would happen if I plugged a small field mixer directly into the 5D2. Got my hands on the Sound Devices MixPre and was immediately impressed with the built quality and the clean signal it produces. Ideally, I would have liked the the Beachtech DXA 5DA but could not get it on time for this test. I think this would be a really good combination, for now check out the video and see/hear for yourself. If you find this information helpful, please consider helping me maintaining this blog by purchasing your gear through my product links to B&H. It will cost you nothing and allows me to keep adding! Thank you.
April 14, 2010
Vimeo at NAB 2010
Vimeo at NAB 2010 from Stephen Niebauer on Vimeo.
Steven Niebauer and Andrea Allen team up and bring us the best in HD DSLR gear, sit back and enjoy!
April 7, 2010
Alter Ego
Alter Ego from Mike Kobal on Vimeo.
Got the idea for this short film during a photo shoot with Thomas Gibbons and Thomas Hassler, took approximately two hours to shoot. Panasonic GH1, slow shutter speed, Vari filter, Voigtlander 40mm and 20mm (Canon to micro 4/3 adapter) 7-14mm, 70-200mm, tripod. manual white balance. Hope you enjoy and thanks for watching. If you find this information helpful, please consider helping me maintaining this blog by purchasing your gear through my product links to B&H. It will cost you nothing and allows me to keep adding! Thank you.
March 30, 2010
To Earth I Come:Jeremy Scott SS2010:Canon T2i, 550D
To Earth I Come:Jeremy Scott 2010:Canon T2i, 550D from Mike Kobal on Vimeo.
There really wasn’t enough time to shoot a proper video during this photo shoot for Zoot magazine with Sophie (check it out – on the stands in two weeks), but a friend of mine just purchased the T2i and dropped by my place at the right moment. I turned contrast and sharpness all the way down, Saturation down two notches, white balance to cloudy, too bad there are only white balance presets, but it will be fine for most situations, I guess. Slammed on my new Zeiss 50mm 1.4 and stuck it in my pocket (large pocket). The Camera is super light and tiny, much closer in size to the Panasonic GH1 then the 7D. It has the best LCD screen of all Canon’s! The tone curve, compared to the Canon 5D mark II and Eos 7D is a lot steeper and the colors are more saturated, it was partly cloudy the day of the shoot and the light was soft, so no problems there, in a higher contrast situation the steep tone curve could be problematic despite the short comings, I do love this little camera. Enjoy! If you like what you hear: http://www.entropymusic.com
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March 21, 2010
The Story Beyond the Still: Another Key Tomorrow: Canon 5D mark II
Another Key Tomorrow: The Story Beyond the Still Chapter 3 (Submission) from Mike Kobal on Vimeo.
Thrilled my entry made top 5!
http://vimeo.com/groups/beyondthestill
Things are getting complicated now.
My entry to the Canon beyond the still contest. Hopefully you guys will watch and enjoy it. Everything was shot with the Canon 5D2 at iso 2000 to 3400, including the daylight clips, using a vari filter for open aperture and high iso for the gritty look. Lenses used: 70-200/4, 24-70/2.8, 17-40/4, 16-35/2.8, 24/1.4. Stitched together in fcp, 3way color corrector, no noise reduction, or any other filters. Before starting this project I asked my friend Dikayl Rimmasch to collaborate as a film maker but he was tied up with a job and gave me permission to use one of his songs instead. And a big thanks to Constantin Philippou, who wrote a big part of the music for this piece. The third song was purchased from Twistedtracks.com, and of course I want to thank Wilder Lee, who provides the drum beat. myspace.com/thewilderlee . Big thanks to everybody who collaborated, on such short notice, I will post a complete list of credits tomorrow.
Please watch the previous episodes, Job Security, chapter 2
and Vincent Laforet’s chapter one here: vimeo.com/groups/beyondthestill
Starring:
Thomas Gibbons
Jamy Dayrit
Lenka Dayrit
Wilder Lee
Miriam Werner
Nikolay Levitsky
Denis Chebotarev
Hair: Robert Lyon
Make up: Jordy Poon
Styling: Signe Yberg
Special Thanks To Lucy @ Lycy’s Bar, the best bar in the world
facebook.com/#!/pages/Lucys-the-best-bar-in-the-world/471247190522?ref=ts
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March 7, 2010
NYC Sounds: LIVE underground, Wilder Lee: Canon Eos 7D
NYC Sounds: LIVE Wilder Lee from Mike Kobal on Vimeo.
Wilder Lee, rocking the underground tunnel between 7th Ave and 6th Ave, spotted him on my way home, pulled out my 7D and started shooting. I hope to catch him again at a better place for better acoustics, he informed me later that soon after I left the cops told him to “pack it up”, what a shame. Canon Eos 7D with 17-40mm and 24-70mm, Rode mic, Iso 3200, small tripod and bean bag. Grading in FCP. If you like what you hear, http://www.myspace.com/thewilderlee
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March 4, 2010
Canon T2i (550D) compared to Canon Eos 7D
A very quick comparison between the two cameras, just received yesterday and the T2i is tiny and very light. The same 18mp sensor (or almost) as in the 7D, but the most exciting news for me is the manual hd movie mode. This little camera is indeed a very capable hd video camera, of course it still lacks proper audio controls but in this case I won’t complain. It is fantastic to have a small camera with such a great sensor for quality video/image output. The trade off, it lacks in the handling department, too many buttons need to be pressed but it will fit in a large pocket. My new take everywhere camera. If you are thinking about getting one, check out this short video and check back in a week for updates. If you find this information helpful, please consider helping me maintaining this blog by purchasing your gear through my product links to B&H. It will cost you nothing and allows me to keep adding! Thank you.
February 11, 2010
Winter in Central Park, NYC: Canon Eos 7D
Winter in Central Park, NYC: Canon Eos 7D: 720/60p from Mike Kobal on Vimeo.
Not very often do we get so much snow here in the city, packed my 7D, a few lenses, small tripod, bean bag and headed to the park. I should really call this a weather proofing test, the gear was soaking wet after about 10min. Changing lenses was a challenge, I ended up using the Tokina 12-24mm and the Nikon 75-150mm (still my fav compact tele lens). No problems with the Camera body and/or lenses. Everything was shot with auto white balance, neutral color settings at 720/60p, Iso ranging from 200 to 400. Grading has been kept to a minimum, only contrast enhancement, no color correction. Music: http://www.entropymusic.com
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February 2, 2010
Ringers: a 16mm short film by Dikayl Rimmasch, a Canon 5D mark II shooter
RINGERS from Dikayl Rimmasch on Vimeo.
Synopsis: Frank goes on the run when his “investment” takes an unexpected turn. SUN-ARC PICTURES B/W RT 16;00 min ©2010 Written and Directed by Dikayl RImmasch. Starring Jason Alan Griffin and Sid Williams. I really dig this short “film noir” flick. Dikayl has been shooting with the Canon 5D2 since its introduction. Dikayl: ” This film was shot on 35,s16, and 16mm. Ilford stock. Unsupervised ransfers to SD (digibeta) which was hit and miss. The ending shot was composited from color stock using blue screen and a background plate shot from the Bay bridge,CA. Subway sequence was created from several locations and a train set peice. Working simultaneously right now on color correction from another film (5d mark 2 footage) and it really strikes me how much of a problem the jello is when shooting action sequences. *Oh, and we waited two days for the pigeons…”
January 23, 2010
From Russia, With Love:Irina Denisova: Canon Eos 7D
from Russia, with love:Irina Denisova: Canon Eos 7D from Mike Kobal on Vimeo.
Another quick test during my beauty shoot with Irina, trying the new indislider mini and a few longer lenses. I really like the crop factor on the 7D for beauty work, a 50mm produces the same field of view as an 80mm on a full frame body and so on, allowing for more distance between the model and the lens which helps avoid distortion, and frees up space for lights. Shooting video clips at such a close range is quite challenging, the slightest camera shake ruins the footage. I was pretty excited to try out my new indislider, a few clips were shot with it, will do a separate review on it later, during the beauty shoot, results were mixed, too many “stutters”, due to the weight of the longer lenses, (only used perfect clips in the video). Lenses used: Voigtlander 40mm, Sigma 50mm, 1.4, Canon 100mm 2.0, Canon 70-200mm. If you like what you hear: http://nealwilliamsmusic.com
January 13, 2010
Brand new Voigtlander pancake lenses for Canon, quick look on Canon Eos 5D mark II
UPDATE: full size comparison shots at different aperture setting (shot on 5D mark II) can be downloaded from here.
If you are looking for small, high quality lenses for your Canon Dslr’s, look no further, they are here! The Voigtlander Utron SL II 40mm 2.0 is totally amazing. Sharp wide open on the a full frame sensor, slight vignetting is visible, but that is to be expected, and pretty much flawless once you stop down to 4 and 5.6. The 20mm 3.5 Color Skopar SL II is not far behind, although the edges are not sharp wide open on the 5D2. Stopped down to 5.6 it produces amazing results. Just love them, the built quality is first rate, manual focus ring is very smooth and a joy to operate. I am using mine on the 5D mark II and the 7D.Check the short video for to see how they look mounted on the camera and compared to the Sigma 50mm 1.4 and the Canon 28mm 2.8 (one of the smallest lenses in the Canon line up). Photozone posted a review/MTF test of the 40mm, tested on a Nikon D300. I got mine from Cameraquest.comIf you find this information helpful, please consider helping me maintaining this blog by purchasing your gear through my product links to B&H. It will cost you nothing and allows me to keep adding! Thank you.
January 10, 2010
a Glimpse of Desire: Canon Eos 7D, Canon Eos 5D mark II
Glimpse of Desire: Canon Eos 7D, Canon Eos 5D mark II from Mike Kobal on Vimeo.
A very short clip with Aymeline during my photo shoot with her (not enough time to shoot more video). First clip, Canon 5D2, the rest was shot with the Canon 7D, used the 5D2 for photographs. Lenses used: Sigma 50mm 1.4, Canon 70-200 4.0, Voigtlander 40mm 2.0. lights, 4 Tungsten softboxes. Iso speed 100. Music:
Gratisvibes.com
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January 7, 2010
Olympus E-P2 compared vs Panasonic Lumix GF1 and Canon Eos 7D
The Olympus E-P2 just arrived and I am excited about this little camera. This is a quick video comparison between the Olympus E-P2 and Panasonic Lumix GF1 and to illustrate size I am also showing the Canon Eos7D next to it. I really , really like the new external view finder VF-2- on the E-P2. Makes me (almost) forget that I am looking at a live view! It is that good! The only gripe I have with it is that if I am not careful with it while it is attached to the camera, it is possible to accidentally brake it off. Dig the full manual movie mode, the built in image stabilization and the colors right out of the box (esp greens) are very nice. I will update this post once I have had some real shooting time with this little gem. If you find this information helpful, please consider helping me maintaining this blog by purchasing your gear through my product links to B&H. It will cost you nothing and allows me to keep adding! Thank you.
December 22, 2009
Temenos, a very quiet place: Canon 5D mark II, 1080/30p
Temenos, a very quiet place: Canon 5D mark II, 1080/30p from Mike Kobal on Vimeo.
“The name Temenos is taken from a Greek word meaning the sacred space surrounding a temple or an altar. Carl Jung used this same word to refer to the inner space deep within us where soul-making takes place.” states the first sentence on Temenos’s web page. I just spent the weekend there, the temperature below the freezing point, windy, one foot of snow, no electricity, water or phone/internet connection. Did i miss it? Yes, but only for the first couple of hours. Once the stove heated up and the water (from the well) got hot, everything was good. This place is very quiet and peaceful. Canon 5D2, 4 fully charged batteries (which I kept in my pocket), to keep the weight down I brought the fantastic Canon 70-200mm 4.0, 17-40mm and the Sigma 50mm 1.4 (the only heavy piece of glass). my fingers got stuck on the tripod legs and I had to go inside to warm up about every 15min, leaving the gear outside to avoid condensation on the glass ( I took the battery out every time). It was a challenge to keep the camera from shaking in the wind, esp with the 70-200mm attached. Shot in color and converted to b/w only using the 3way color adjustment in fcp. Music: http://mathieu.lozinguez.free.fr/mp3.html
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December 17, 2009
New York City Sounds: Saw Lady: Canon EOS 7D, 1080/24p
NYC Sounds: LIVE Saw Lady: Canon Eos 7D, 1080/24p from Mike Kobal on Vimeo.
Knowing there was a good chance the Saw Lady would be playing today, I grabbed my gear and headed towards Grand Central Station. I could hear her play long before I spotted her. Please let me introduce you to the Saw Lady. The Instrument is based on a large logging saw, despite her peaceful appearance the NYC Police slammed her with a $150 fine and she had to have the teeth removed from the blade. She insists it does not effect the sound, visually of course, I would have preferred a real saw! Shot handheld, Canon 7D, 17-40mm, Iso 1600, Sennheiser MKE400. Merry Christmas! If you find this information helpful, please consider helping me maintaining this blog by purchasing your gear through my product links to B&H. It will cost you nothing and allows me to keep adding! Thank you.
December 15, 2009
Screen Test: Olga Serova: Canon Eos 7D, 1080/24p
Screen Test: Olga Serova: Canon Eos 7D from Mike Kobal on Vimeo.
Shot before our photo session, just for fun and to relax. I really like the lightness in Olga’s moves and look forward shooting with her again after the holidays.
Canon 7D with 17-55mm, multiple softboxes, green screen, music: http://www.myspace.com/fletcherbeadon
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December 5, 2009
New York City Sounds: Underground Music: Canon 7D, 1080/24p
NYC Sounds:LIVE underground:Canon 7D,1080/24p from Mike Kobal on Vimeo.
Finally got around doing my first subway music sampler video, great talent out there and this is the first of a series. It was a challenge not to get run over, esp during rush hour, poor lighting conditions really called for the Canon 5D mark II but I was set on shooting it in 24p. The 7D holds up very well, most clips ISO1600, 3200, contrast enhancement and b/w conversion in post. Steep curves applied to some clips bring out the noise, no noise reduction applied here since I really like the grainy look for this subject matter. Keeping it raw and real. Shot hand held, mostly, 17-55mm, 12-24mm, 11-16mm, wide open. Sound recorded with Sennheiser MKE 400.I am still waiting to get info for the two first gentlemen who can be found at the 72nd street station and the subway passage from 6th to 7th ave. For now check out the www.undergroundhorns.com
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November 24, 2009
Motorola Verizon Droid Android Video clip
Had to pick up a friend from Grand Central Station today. Got there 15min early, did not bring a camera but had my droid. Took some photos and a few video clips. Edited in FCP, desaturated, noise reduction, contrast adjustment. If you are wondering how the Droid holds up against, lets say, the Canon 5D mark II? check out this clip
If you like what you hear check out Neal’s music http://nealwilliamsmusic.com
November 20, 2009
Canon 7D or Canon 5D mark II: quick comparison
Many of you have emailed asking which one I recommend, Canon 7D or 5D mark II, this is a quick comparison between the two cameras, focusing on what I think makes a difference, check it out, about 3minutes, hopefully this will help you make a decision which camera to get.
If you find this information helpful, please consider helping me maintaining this blog by purchasing your gear through my product links to B&H. It will cost you nothing and allows me to keep adding! Thank you.
November 17, 2009
Sophie: Canon EOS 7D, 720/60p, slow motion test
Sophie: Canon 7D Slow motion Test from Mike Kobal on Vimeo.
A quick test clip during my photo shoot with Sophie. Playback at approx 40-50%. Time remapping and color correction in after effects. Canon 7D with 17-55mm, aperture 4, shutter speed 1/125, ISO 100. Lighting: 5 Tungsten lights, indirect, against large reflector boards. Buy the music here: Kraftwerk
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November 9, 2009
New York Blues: Canon EOS 7D, Canon EOS 5D mark II
New York Blues: Canon 7D, Canon 5D mark II from Mike Kobal on Vimeo.
Walking around mid town, east village and china town with no particular goal other then then to capture traditional street photography inspired video clips, which I am a big fan of. Check it out and let me know what you think. 0:25through 1:10 was shot with the 7D and 12-24mm mounted on the Flycam. The rest tripod, steady bag and hand held. Lenses: 70-200mm, 100mm 2.0, Sigma 50mm 1.4, 17-55mm. 5D for clips at 1:37, 2:10 and 2:20, at ISO 3200 and 50mm 1.4 an 100mm 2.0, the rest was shot with the 7D, ISO range 400 (daylight) to 3200. Grading in FCP, mostly just desaturated and contrast added. The night clips from the 7D required noise reduction just to match the night shots from the 5D straight out of the camera, truly outstanding when it comes to low light, the 5D. The 7D exhibits more noise (about 1 to 1.5 stops behind 5D in terms of sensitivity) and can’t quite match the 5D’s dynamic range . The two cameras complement each other very well. Hope you enjoy! Music: Stumblebum Brass Band
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